2025 music

     

    Nearly halfway through the year, here's some little blurbs about my favorite releases of the year so far. There are lots of albums I still have to get to, and lots I'm excited about, so don't take the rankings too seriously, take it more as "here's some cool stuff I liked this year."

    here's come cool stuff I liked this year

1. Honningbarna - Soft Spot
post-hardcore, noise rock

They returned with an album at least as vigorous as the last. They've maintained their noisy post-hardcore core, but this time they've added more synthesizer and some mild industrial influence that reminds me of Death Grips albums Jenny Death and The Money Store. You simply haven't got a soul if this album doesn't amp you up.

2. Longmont Potion Castle - Alive in '25 
prank calls

Another blessed year in which we got a new LPC album. This album includes calls to other time zones at odd hours of the night, a friendly nonsensical call about renaissance festivals, and an endearing call to a confused married couple about a broken landline phone. Plus an hour-long interview at the end of the album for the mega-fans, I listened to it on a flight recently.

3. Deafheaven - Lonely People With Power
blackgaze

Despite this album's length, it is enrapturing and manages to be extremely digestible. They've returned to the Sunbather sound, but dropping the samples and interludes makes this feel like a really compact listen, with the highlight tracks being placed really appropriately in the tracklist to pace the album well.
    
4. Kitchen - Blue Heeler in Ugly Snowlight, Grey on Gray on Gray on White.
slacker rock, indie folk

An ambitious work (20 tracks totaling 77 minutes), this album has a nice variety of sounds to keep it flowing nicely: indie folk, slowcore, slacker rock. Far from an Alex G clone, James Keegan has an introverted songwriting style all his own. Well worth a listen if you're a fan of The Microphones, Guided by Voices, or the aforementioned Alex G.

5. sueter7 - diario
indietronica

This EP is comfy and memorable. It feels like waking up on a sunny Saturday morning, bearing an undefined optimism. I really like the vocal melodies, I find myself humming them around my apartment.

6. Life - My Heart the Dreaming Memory
screamo

Of the many Life releases this year (so far), this one captured me the most, especially in the second half. A familiar screamo sound with a bit more metalcore chugging and plenty of painful reverberated screams. The drums sound really good here.

7. Ostraca - Eventualities
screamo

Four rippers here. They lean more on instrumental interludes, but hit hard when the screams kick in. It's classic Ostraca!

8. My Son the Doctor - Glamours
post-punk, indie rock

Fun and wry tunes from NYC post-punkers My Son the Doctor. Lots of cool guitar lines to furrow your brow and lyrics to make you smile. A really great live show. This album gets better with every listen.

9. Downward - Downward
shoegaze, alternative rock

Thoroughly emotional, but spacey and restrained. Occasionally big shoegaze moments, and other songs more slowcore. This album sounds like walking around a quiet city on a rainy day.

10. Bill Fox - Resonance
folk, singer-songwriter

Some old tracks from a couple different sessions compiled into this lovely folk album. A healthy set of Bob Dylan-like tunes, some leaning more towards a slackery Guided by Voices sound, the usual split from Bill Fox. The highlight is the final track "Got Her on My Mind," recorded with a full band.

great local stuff:
Cash Bribe - Demonomics (punk rock, hardcore)
The Entire Earth - I'm Not Scared (post-hardcore, emo)
Fake Pollocks - Livestock (math rock)
Body World - Body World II (hardcore punk)

plugging my own bands' new releases:
The Real World - Keeping it Real
Marshy - Light Business

Favorite releases of 2024

1. 22º Halo - Lily of the Valley
Indie rock, slacker rock
bandcamp | spotify | apple music

    Will Kennedy wrote this heartwrenching album for his wife who battled and beat cancer. In a message to Bandcamp followers upon the album's release, he claimed the album ended up being as much for himself, to process the struggles and love that come from such an unthinkable situation. The album is produced so dryly but so intimately. The guitars are minimally effected, rather he uses multiple guitar tracks of natural harmonics to give atmosphere. The simple drum beats give room for the soft vocals to fill the space nonetheless.
    I went to one of the release shows where they played the album in full, and in between some tracks Will would talk a bit about the meaning behind the songs. Near the end of the set he revealed he and his wife were expecting a child, and you could feel the room take on a beautiful density- people visibly rejoiced but almost subdued by the reverence for the road it took them to get there. This is a special album.

2. Cosmoline - Inventions
Indie rock, shoegaze, noise pop
bandcamp | spotify | apple music

    This album straight up rocks. The energy does not relent, and lasts just long enough to leave you impressed but wanting more (indeed, I want to see this band live real bad). I really appreciate that the chord progressions and strumming lead the energy here. While there are plenty of effects on the guitars and layers of noise, it only adds to the fundamental energy of the song rather than distracting from it. There's plenty of bands out there making noisy indie rock music, but Cosmoline shows that they have a clear vision of delivering tight, energetic songs, and they delivered superbly.

3.  Kudaranai1nichi - Every Last One of Them
Midwest emo, j-rock
spotify | apple music

    This fairly new band from Japan had shown the chops to win the hearts of Algernon Cadwallader fans with their first few releases, but I hear more nuanced songwriting here, drawing a bit more directly from the classic "j-rock" sound of Asian Kung-fu Generation, Straightener, etc. Also a quick listen, and the kind of album where a different song stands out on each listen.

4. Longmont Potion Castle - Best Before '24
Prank calls
digital download | single "Post-A Capella" on youtube

    This has a lot of the classic style of prank calls (e.g. calling a record store and asking for something non-existent), but also some new ones. We're so fortunate he still puts out albums. This one is probably my favorite of his in a few years.

 5.  Dagwood - Pollyanna Visions
Power pop, jangle pop
bandcamp | spotify | apple music

    Great hooks and great production, I recommend this EP for anyone interested in reliving the days of fun basement shows or the new poppy punk that Turnstile turned us all onto with Glow On. The chorus of "Should Be" gets stuck in my head, great vocal harmonies all over this thing.

6. Little Kid - A Million Easy Payments
Indie folk
bandcamp | spotify | apple music

    Canada's Little Kid had a few slowcore-folk albums in the late 2010s that really captivated me. Then they turned a bit to a more classic indie folk sound that still showed great songwriting, but I felt they excelled when they allowed space in their songwriting. On this album they show an excellent hybrid of the two styles, where you could show any fan of acoustic guitar music this album and it would land, but fans of their older songs will find comfort in the more atmospheric and slower songs. The track "Somewhere in Between" is an all-timer already, and "Bad Energy" shows incredible restraint in building a song over several minutes.

7. Jingwei - Jingwei
Midwest emo, screamo
bandcamp | spotify | apple music

    At six songs and barely more than as many minutes, this EP is a blaze of energy that will have you playing it again once it's over. Here Nick Stutsman (of increasingly-famous bands Merchant Ships, Midwest Pen Pals, and Park Jefferson) plays everything, save for a feature of Jessie from idialedyournumber on vocals on one track.

    In a Youtube video he shared his mentality of not worrying about making something "perfect" (especially with his confidence in his drumming still growing), but just making something at all. Those words both inspired me as I created music this year, and made me thankful that he released these tunes rather than shelving them. Can't wait for more.

8. Smush - If You Were Here I'd Be Home Now
Shoegaze
bandcamp | spotify | apple music

    Something about this album feels especially intimate, which is when shoegaze really excels to me. Rich with feeling left hidden among the noise. Like leaning closer to someone whispering in your ear in a crowded place. There are a lot of great vocal melodies on this album too. I hope to catch them live, it seems like they relocated to Brooklyn in the last year or two.

9. Mo Troper - Svengali
Power pop, indie rock
bandcamp | spotify | apple music

 

    Well, have to address it- it's a bummer the circumstances of this album's release and Mo Troper's reputation. After allegations of misconduct against him by his ex, the label dropped the album, and Troper, denying the claims, was left to release a version of the album on his own. It seems like he and his ex had a tumultuous relationship, but in the end the defamation case was settled and the statements were retracted (see here).
    The album has some absolutely incredible songs in "Bleach" and "Spark World," and plenty of other great tunes no doubt inspired by The Beatles and Guided by Voices. He shows his range here with some songs solidly power pop, others more noisy, and near the end are some instrumental compositions that are at least interesting if not head-scratching. While the album may suffer from being too long or too varied, it is a product of the circumstances of its release, which is enhanced by the lyrics surely inspired by the rocky former relationship as well. I've enjoyed digging into his back catalog after discovering this album and I can't wait for the next one.

10. Porter Robinson - SMILE! :D
Pop rock, electropop
spotify | apple music

    This was one of my more anticipated albums of the year, and it delivered nicely. The first single "Cheerleader" made me excited for a happier Anamanaguchi style, but the following single "Knock Yourself Out XD" made me nervous (fans still seem divided on the "bitch i'm taylor swift" lyric). The third single "Russian Roulette" is the highlight of the album for me, inviting us into his darker emotions as he did on his previous album 'Nurture' but here with a fresh attitude, showing humor and smiling it off. That song live was one of my favorite concert moments of the year. The rest of the album is filled with a nice blend of pop rock and tender acoustic tracks that make it a smooth listen, maybe the first "casual album" listen in his discography. When he puts his mind to making a particular sound, you can really tell he ends with a product just as he thought of it.

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Some new bands I like

    For a while recently I'd been digging back in time to see what older bands I'd overlooked. e.g. it turns out Big Star really resonates with me, and in the last post on this blog I listed a bunch of 90s bands that I thought deserved your attention.

    But, now I'm performing with a few bands, so my attention naturally returned to the cool stuff that bands in my area and around my country are doing. I'm excited that everyone seems to listen to everything: even the shoegaze kids listen to Orchid, and a good few punks have a favorite Pinegrove song.

    Here's a couple bands with new albums that I've really enjoyed.

Abel - 'Dizzy Spell' (2024)

    From Ohio is Abel. Here you'll hear the fuzzy shoegaze guitar, with vocals that waver between a detached slacker rock sound and a more punchy emo sound. The production is layered very nicely.

Cosmoline - 'Inventions' (2024)

    Cosmoline is a band from New Jersey that knows how to rock. The energy and the tempo hardly relent on this album that falls just short of 30 minutes. There's some modulations that remind me of bands like Pia Fraus, and upbeat thrashing reminding me of fellow noise-rocker Kraus. If you're looking to jam out, this is the one. It's been a long time since I was so excited about an album on first listen.

Dagwood - 'Pollyanna Visions' (2024)

    This band from Connecticut was on my radar when I was in high school, but I never did see them live. Somehow I stumbled upon them again recently, and their recent music is fun, thoughtful power pop. Their live set is extremely tight, you can tell how long they've played together. I'm glad to have finally seen them after the release of this great EP.

22º Halo - '22º Halo' (2019)

    Alright, it's not a new album, and they're probably the most popular band on this list, but I'm still happy there's a band out there that sounds like Idaho. (Although, Idaho is still around with a new album of their own!) This album has any 90s alternative rock sound you could think of, the folky slowcore, the heavy shoegaze, yet maintains an impressive cohesion. Hoping to catch them next month.

Some album recommendations

 

 Hi, just here to talk about some albums I've discovered this year that really hit!

Glide was a band from Australia in the 90s, and I really enjoy their style. Borrows from power pop, shoegaze, jangle pop—all the good stuff, impressively all at once. Really tight songwriting and some surprising chords you might expect in a Radiohead song a few years later. All the albums are great, but I recommend Open Up & Croon (1995) for the most shoegaze influence and Disappear Here (1996) for a more alt-rock sound, though I adore both. If you're jonesing for more, try the posthumous Last (1999), which has a favorite of mine in "Pull in Your Claws," a demo that singer William Arthur produced in his garage before his unfortunate passing.

Lowgold was a British band that I found via the Slowdive drummer Simon Scott being a member for a time. I picked their album Welcome to Winners (2003) to listen to on a commute the other day and it blew me away. Pretty chords, slow-ish tempos, and simple vocal melodies to drive it home. It reminds me of an all-time favorite, The Gloria Record EP A Lull in Traffic (2000). I guess some britpop influence is present in both, maybe an avenue for me to find similarly slow-and-dreamy bands like these.

The band Riverside had an album called One (1992) that I've adored lately. I couldn't believe they're not British! Certainly could have passed for one of the many Scottish dreamy-jangle pop bands of the time. Instead, Riverside was from Philadelphia. Maybe I'll get to see them someday. A simple album that does everything right, even if it doesn't innovate a ton. You'll like it.

Finally, I discovered Kleenex Girl Wonder some months ago via a bandmate and I instantly loved it. I heard a track from Ponyoak (1999) that I immediately put on repeat for a while, and eventually I listened to the album in full and came to appreciate its diversity. He seems to come from the midwest Guided by Voices scene, and sounds the part, but his witty lyricism and edgy, nonstop vocal delivery are truly unique. There's some trivia about this album-- it's a breakup album, half of it about an imagined breakup while he was still in the relationship, and half of it written after that relationship had actually ended. Read more here, it's fun to guess which tracks came from which circumstance.

If anyone reads this, I hope you enjoy one of these albums, have a good day! □

Copeland - "Love Affair"

 

 

 

Copeland - Eat, Sleep, Repeat (2006)

I saw in the Copeland documentary (here on YouTube, by Kyle Brammer) that Aaron Marsh often writes songs by inserting himself into others' situations (His quote: "[I try to] write from this person's perspective, assuming I was going through the same thing"). The Copeland song "Love Affair" is a nice example where he plays both parts of a conflict in one song.

The verses are musically dramatic, matching the outpouring of questions from the person who's been wronged, feeling insufficient. Then the chorus gives the answer from the one who had the affair: the musical arrangement is now subdued as this person avoids the questions, just pleading for freedom. The long coda gives the feeling that they're sitting silently in their own reflection, a palpable heaviness. Finally, Marsh gives some words about the topic from an ambiguous perspective, seemingly removed from the previous call-and-response. (Is it Marsh himself reflecting on the topic in general? Is it a newfound perspective on love from one of the two previous characters?)

This is just a genuine heartbreaker of a tune! It's a sad thing that i relate to this song so directly through some rough life events, but I'm glad to have this newfound appreciation for this marvelous tune. ◻

Prawn - 'False Institutions' (2009)

Prawn - 'False Institutions' (2009)

*free here*

1) Nightmares

2) Thousand Grains of Sand

3) Courage Kills Men

4) Arctic Foxes

5) Family Tree

There are quite a few bands that are blurring the line between vocal post-rock and emo music. The first one that comes to mind is Moving Mountains for me, but it could be The Appleseed Cast, Empire! Empire! (I Was a Lonely Estate), or a number of other bands for you. Forgive me if I make too many comparisons, but it's hard not to do that here for me.

Prawn is one of those emo/post-rock bands, and they're from New Jersey. They released this for free on their Bandcamp, and have since put up another free demo and a full-length. But what makes Prawn different to me is that they don't take a minute or two to build up to anything. Their momentum stays strong for even a whole song. Instead of slow portions of soft singing and clean guitar, they insert interludes of distorted guitar or drums. Essentially, this band captures you from the start and keeps your attention without letting you take a break with a soft section.

But I have to forewarn you: if strong lyrics are what you're looking for, Prawn may not be for you. However, while the lyrics may not be a strength of the band, the vocals are. That should be apparent by the end of the first track, "Nightmare". After a guitar progression that was surprisingly fantastic to me when I first heard it, the vocals come in and fill the sound with a mixture of more raw emo music and more refined and coordinate post-rock.

The thing about Prawn is that they aren't very intricate, but they certainly do an exceptional job with seemingly basic elements. The album is free, and definitely worth a listen.

Aurore Rien - 'Telesthesia' (2001)

Aurore Rien - 'Telesthesia' (2001)

1) Hindsight 20/20

2) Hearts Murmur Under Halogen Lights

3) Breakaway, Sydney

4) Sunsets, I Have Seen Too Many Without You

Aurore Rien was a post-rock band that I believe was from Wisconsin. Two of the members went on to form Wisconsin-based ambient music project Lights Out Asia, which leads me to believe that Aurore Rien was from the same state. At any rate, these are the unsung heroes of vocal post-rock (a bit oxi-moronic, but you get what I mean). They released a full-length album called 'Sedative for the Celestial Blue' in 1999, and then this EP in 2001.

"Hindsight 20/20" has always been my favorite song by this band. It's relatively long, as are all the songs on this EP (they're all about 8 or 9 minutes). There are a lot of sections with repeating phrases, and the first track on this album uses that most effectively in my opinion. There is a repeated guitar phrases that gets gradually more intense until it ends at 2:35. Later, there is a portion where the singer repeats a phrase that I understand to be "Let's stay here tonight". At the part where the guitar becomes distorted, the vocals become more reverberated, which helps to create quite a chilling atmosphere.

The rest of the album includes similarly repetitive musical phrases, but there's a subtle build and change with each time. The vocals are used more as an instrument than as a way to express lyrics or words. It's almost like a compromise between the original Bark Psychosis-esque "post-rock" and the then-new sound of bands like Explosions in the Sky. The track "Breakaway, Sydney" also includes a sample of a speech made by John L. Lewis, a former Head of the Union Mine Workers. The speech was made before the U.S. Congress in 1947.

Aurore Rien is a somehow forgotten band that exemplified the turning point for post-rock music by combing sounds of the mid-1990's to the new sounds of the early 2000's. This album is a really great one, and I would highly recommend it.

RIYL: Bark Psychosis, Jeniferever, Explosions in the Sky